Movement
Maurice Ravel was fascinated by Spain, shown clearly in his Boléro and his entertaining one-act play L'Heure Espagnole. The composer wanted to breathe new life into the comic Italian opera of yesteryear. He therefore chose Franc-Nohain's popular play, which overflows with comic potential.
The ingredients? Start with a dutiful clockmaker and his adulterous wife. Add to that a muscular donkey driver and some lovers and lock them in a clock. Served with the playful compositions of Ravel – the ticking clocks are even reflected in the music – and everything is just right. Right up the alley of director Tom Goossens, who has already proved he knows what to do with opera and comic love intrigues. The scenography for both pieces is designed by Conrad Willems. Ravel's world-famous Boléro is playfully used as a surprising prologue in which employees of Opera Ballet Flanders play a starring role.
Opera Ballet Flanders performed L'Heure espagnole for the first time with the Youth Orchestra Flanders. This new symphonic youth orchestra was founded in a partnership with the Brussels Philharmonic, Antwerp Symphony Orchestra and the Symphony Orchestra of Opera Ballet Flanders. Top talent Yi-Chen Lin guided the Youth Orchestra Flanders through Ravel's virtuoso orchestral scores.
A great article on Radio Klara (Dutch) you can read and listen to here.
Find out more on this piece on Opera Ballet Flanders website.
Bolero / L’heure Espagnole
A Modular scenography for Opera Ballet Flanders.
(Performed 3 times in Opera Ghent, 12- 2021)
Maurice Ravel was fascinated by Spain, shown clearly in his Boléro and his entertaining one-act play L'Heure espagnole. The composer wanted to breathe new life into the comic Italian opera of yesteryear. He therefore chose Franc-Nohain's popular play, which overflows with comic potential.
This musical theatre production by Opera Vlaanderen for kids explores questions about rage, fear and resentment. Where do the roots of evil come from? What does it mean to take revenge? How can I contend with the world outside that is often dark and unfair?
With elements from Shakespeare's masterful play and Verdi's musical masterpiece, Tom Goossens and composer Mathias Coppens have created a radical adaptation for children ages 9 and up. Their work is based on classical musical structures, rooted in a theatrical language taken from opera. A female vocalist, Zofia Hanna plays the role of Lady Macbeth, and an actor, Bert Dobbelaere plays Macbeth. The Opera Vlaanderen Children's Chorus performs all other roles.
About the story:
Mr. and Mrs. Macbeth leave a child behind, presumed dead. Just as in Verdi's opera Macbeth, the ghost of the murdered Banco appears to his murderers during a festive banquet, in this spooky adaptation, a group of mysterious children appear to the Macbeths and swear revenge. The sumptuous banquet thus devolves into a creepy nightmare in which a group of children take revenge on the wicked world of the adults.
BANKET, The Revenge on the Macbeths
Scenography for Opera Vlaanderen inspired by the Construction series.
(2018-19)
This musical theatre production by Opera Vlaanderen for kids explores questions about rage, fear and resentment. Where do the roots of evil come from? What does it mean to take revenge? How can I contend with the world outside that is often dark and unfair?
1000 natural clay bricks
4 signs (permanent marker on print and wood)
Site-specific performance from 16/01 to 15/02
Devil’s Castle, Ghent
Over the course of 1 month, Conrad carried 1000 bricks (1.6 tonnes) to the roof of the Gerald the Devil castle and threw them down into the courtyard.
This 13th century Gothic building has seen numerous renovations since the Middle Ages, making it impossible today to recognize its original structure. According to announcement signs Conrad put up each week, these renovations were being revoked. The signs threatened to remove the embattlements, rebuild the castle in a contemporary style, or to convert it into an artist’s asylum.
The action aimed to dispers disinformation, which today has become difficult to distinguish from actual information. The pile of stones in the garden formed a temporary sculpture.
Deconstruction I
1000 natural clay bricks
4 signs (permanent marker on print and wood)
Site-specific performance from 16/01 to 15/02
Devil’s Castle, Ghent
(2017)
Over the course of 1 month, Conrad carried 1000 bricks (1.6 tonnes) to the roof of the Gerald the Devil castle and threw them down into the courtyard.
This 13th century Gothic building has seen numerous renovations since the Middle Ages, making it impossible today to recognize its original structure. According to announcement signs Conrad put up each week, these renovations were being revoked.
Particle board and screws
Varying dimensions, Growing number of blocks
(Ongoing, 2007 - present)
The work consists of a large number of blocks, constructed in particle board following the same dimensions and variations as children's wooden play blocks.
As a performance, live constructions are constructed before an audience. Conrad lifts and stacks these oversized building blocks without any help or attributes: he climbs the structure itself to build it up. The resulting construction as a temporary modular sculpture.
There are rules to be followedNo attributes are used to mount the constructionThe blocks are not affixed in any wayEach time a performance is made, new blocks have to be added
Image Performance XI Ontsteking Gent, Belgium (2023)
Cubicles I-IX
Particle board and screws
Varying dimensions and growing number
Ongoing (2007 - present)
The work consists of a growing number of blocks, constructed in particle board following the same dimensions and variations as wooden toy building blocks.
The blocks are used to make live constructions before an audience. Conrad lifts and stacks these oversized building blocks without any help or attributes: he climbs the structure itself to build it up. The resulting construction as a temporary modular sculpture.
Team
Libretto and staging
Tom Goossens
Composer
Mathias Coppens
Original composition
Giuseppe Verdi
Conductor
Michiel Delanghe
Set
Conrad Willems
Costumes
Miet Van Stichel
Lighting
Roel Van Berckelaer
Dramaturgy
Koen Bollen
Orchestrade
Compagnie
Cast
Lady Macbeth
Zofia Hanna
Mister Macbeth
Bert Dobbelaere
Childrens' Choir
Kinderkoor Opera Vlaanderen
Photography: Cedric Verhelst
Co-production with Muziektheater Transparant